![prison break season 1 episode 7 prison break season 1 episode 7](https://pictures.betaseries.com/banners/episodes/10/e06158479799bc87e038c4d2d3e803a2.jpg)
“You’re her type.” Eve calls Niko several times thereafter because although he was an asshole to her last week, he deserves to keep his dick attached to his body. “Be careful,” Anna cautions this other woman with a curly black mane. A month after being told of Oksana’s death in prison, she received a white coat, inside of which Eve finds a fake passport. Anna’s effort to reestablish borders - once with a joke that the only reason she loved her husband was because of his penis - backfired cruelly. Oksana reciprocated that attention and then some, with a chestful of letters and expensive gifts like designer clothes and luxury perfumes. The girl arrived at the school with a violent reputation, and Anna decided to nurture this bright, needy student who had no parents or friends. Just outside Moscow, Anna tells Eve how she came to know Oksana so well. Villanelle promptly shoots Anton in the head because duh. He gives her some clothes, a gun, and a postcard with a “challenging” local target. Villanelle is brought to a dingy room where she’s told in so many words by her mouthy new handler, Anton, that she’s to no longer worry about Konstantin. Thus begins a hall-of-fame stupid-ass move. “I don’t want to be free,” she shouts, just before receiving a bullet in the back of her head. Agniya, on the other hand, is devastated by her liberation. Naturally, she smiles, undoubtedly pleased that Konstantin or the 12 would go through this much hassle for her rescue. A man on a motorcycle tells her to get on his vehicle, but Villanelle can’t help surveying the carnage around her: In addition to the dead prison guard in the truck, there are four other law-enforcement officers bloodied and collapsed around her. The truck abruptly stops, one of the guards unloads a barrage of bullets into the other guard’s chest, an explosion rings out by the back door, and Villanelle is free. The guards drag Villanelle out of the prison and put her in the back of a truck with Agniya, the cancer patient our assassin used as a prop to kill Nadia. Her blade is sharper than Villanelle’s teeth, but the latter do more damage as they sink into Inga’s neck. Villanelle stays awake until she can’t, and that’s when a razor blade snakes its way out of Inga’s mouth. Probably not too far away, Villanelle is returned to her solitary cell to find a catatonic woman named Inga lying in her bed. Planning to use the letters as evidence of Carolyn’s betrayal of Vladimir, Eve sets out to learn from Anna what made Villanelle become a killer. Carolyn’s computer-whiz son happens to be a pretty good amateur sleuth, too, having found “filthy” love letters to his mother from Konstantin in a safe behind a bookcase and at least one old photo with the Russian in them. (In Villanelle’s case, the 12 went through the trouble of having her kill Nadia so that they could trap her in solitary confinement, but Eve doesn’t know that.) In any case, Carolyn is serenely accepting of their only lead being killed off hours before she was to cooperate.ĭespite orders for her and the just-arrived Kenny to go home, Eve decides to continue her pursuit of Villanelle by paying a visit to Anna. Eve is livid, convinced without any proof that Nadia’s murder is Villanelle’s doing, as if it were remotely strategic to fly into Russia, sneak into prison, kill a witness, and sneak back out instead of simply paying off a guard or an inmate already inside to achieve the same objective. They join Konstantin for breakfast, over which the Russian operative refuses them an interview with Nadia’s (fictional) killer. (Though I could have done without the possibility of another “todger” on the chopping block.) The hour begins at the British agents’ Moscow hotel, where Eve catches Carolyn on a morning walk of shame, while the older woman gets news that Nadia has been murdered by a fellow prisoner. Still, this season’s penultimate installment ends up being highly watchable for its narrative propulsion and many twists. Oh, and cut off her teacher’s husband’s penis as part of her infatuation. This week, we’re given her (pretty underwhelming) origin story: that of an effective orphan who became obsessed with her French instructor, Anna, and adopted the older woman’s Francophile tastes as her own.
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According to her ex Nadia, she pushed or persuaded her way into contract killing, but Villanelle certainly seems lost now, bereft of a purpose in life other than work. Last week, I said that I wasn’t sure how much sympathy we were supposed to lend Villanelle, a young woman with a high propensity toward violence, a steep body count, and no one resembling a friend.